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The Berlioz: Our Vampires Ourselves

Nigel Kellaway

Year: 2008, 15 mins
Code: NK-Berlioz

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Part of a set of excerpts from ten major works by Nigel Kellaway (1994 - 2004), assembled and edited by Kellaway and his long-time associate, video artist Peter Oldham.

The Opera Project’s first major production venture, The Romantic Trilogy completed in 1999, was a radical reassessment of our theatrical heritage, rampaging through a musical, theatrical and literary repertoire of remarkable scope. The Berlioz – Our Vampires Ourselves (1997) explored the woman’s voice and body as a conscious and active protagonist in male homoerotic pornography.

Other performances from Nigel Kellaway's Works 1994-2004:
This Most Wicked Body (17'50'')
The Sinking of the Rainbow Warrior (4'30'')
The Terror of Tosca (22'15'')
Tristan (11'30'')
Little George (17'20'')
El Inocente (7'10'')
Entertaining Paradise (16')
Another Night: Medea (14'05'')

The Audience and Other Psychopaths (18'40'')

More from Kellaway / The opera Project Inc - DVD & Streaming:
Nigel Kellaway in Sleepers wake! wachet auf!
The Rameau Project
Brief Synopsis

NIGEL KELLAWAY - Artistic Director of The opera Project Inc.

In a career embracing his skills as an actor, director, dancer, musician and contemporary performance maker, Nigel Kellaway's initial professional performance training was in music, majoring in piano and composition at the universities of Melbourne and Adelaide.

He was the first Australian actor to train with Tadashi Suzuki and his Suzuki Company Of Toga (1984-85) and also worked with butoh artist Min Tanaka in Tokyo. Over 35 years, he has more than seventy full length theatre, dance and music works with companies including The One Extra Company, Sydney Theatre Company, Entr'acte, Terrapin Puppet Theatre, Sidetrack Performance Group, Legs on the Wall, Ihos Contemporary Opera, the Australian Dance Theatre, Stalker, Calculated Risks Opera Productions, the Song Company, Splinters Theatre of Spectacle, Urban Theatre Projects and Stopera and for venues including Performance Space (NSW), the Perth Institute of Contemporary Arts (WA) and The Royal Court Theatre (UK).

He was a co-founder, in 1987, of the performance ensemble The Sydney Front (of which a large selection of the performances are available on both DVD & Streaming), with major productions including THE PORNOGRAPHY OF PERFORMANCE (1988), PHOTOCOPIES OF GOD (1989), DON JUAN (1991), FIRST AND LAST WARNING (1992) and PASSION (1993). The Sydney Front toured extensively within Australia and Europe, to the UK and Hong Kong. Solo performance works include PERFORMER (1977), GIVE ME A ROSE TO SHOW HOW MUCH YOU CARE (1986), THE NUREMBERG RECITAL (1989) and THIS MOST WICKED BODY (1994), a ten day, 240 hour performance marathon with percussionist David Montgomery, video artist Peter Oldham and restaurateur Gay Bilson, which toured to the 1998 Telstra Adelaide Festival with pianist Gerard Willems and Gay Bilson.

Over the past fifteen years a major focus of his work has been in contemporary music theatre. In 1997 he directed the Colin Bright/Amanda Stewart opera THE SINKING OF THE RAINBOW WARRIOR with the Song Company and Australysis for the Sydney Festival on Sydney Harbour, and in 2001 co-devised and directed LITTLE GEORGE, again with the Song Company. His collaborations with Canberra based Stopera have been dISTRESSING THE DIVA in 1998 and the Clérambault/Rameau derived CANTATA in 2003.

In 1997 he co-founded with Annette Tesoriero The opera Project Inc., a loose ensemble of actors, musicians and physical performers dedicated to the mission of reassessing "opera" (and its accoutrement) as a contemporary performance practice. Major works by the company have been THE BERLIOZ - our vampires ourselves (1997, toured nationally in 2001), THE TERROR OF TOSCA (1998), TRISTAN (1999), EL INOCENTE (2001), ENTERTAINING PARADISE (2002), ANOTHER NIGHT: MEDEA (2003), THE AUDIENCE AND OTHER PSYCHOPATHS (2004), SLEEPERS WAKE! WACHET AUF! (2007) and THE RAMEAU PROJECT (2009).

He served on the dance committee of the Australia Council from 1993-96 and in 1997 was awarded the Rex Cramphorn Theatre Scholarship by the NSW Ministry for the Arts. Kellaway has been a leader in the development of avant-garde and hybrid performance practices in Australia over the past three decades, and in 2004 was awarded a senior artist's Fellowship by the Theatre Board of the Australia Council to devote two years to his continuing research into theatrical, operatic and contemporary performance practices.

"How triumphant! The purity of this work, with its intelligence expressed in daring physicality, sets The Berlioz quite apart …one of those very rare works where all the parts fit together, absolutely.

Informed, provocative, funny, oozing with exquisite music (Berlioz’s Summer Nights) and unorthodox sexuality, it operates on dozens of planes. On one level its an acid critique of contemporary opera manufacture and attendance. On another, we have the camp comedy of an opera couple’s night out. We have a study of the connections between 19th-century romanticism and decadence; relating to that, a tease on the history of vampirism in literature. Via three sensational performances, the teeth of this work sink quietly into our necks, our blood flowing helplessly as we submit to its pleasure." James Waites, Sydney Morning Herald

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