Lisl Ponger´s photographic and cinematic work investigates the circumstances of places and their territorial occupation by the camera, the acquisation of images, the function of photographic and cinematic representation, and the presentation of cultural values. Her works are characterized by that which is no longer present, which refers to that which is already absent. This is a latent component of each of her images and at the same time the particular political stance of her works.
-Passagen 1996, 11 min,
-Déjà Vu 1999, 22 min,
-Phantom Foreign Vienna 2004, 27 min