With her characteristic consistency Gertrude Moser-Wagner has viewed her work as a sculptress in the conceptual tradition even at a time when other approaches were more in the limelight. She uses very precise artistic stategies, such as the transferral from one context to another, the strategy of declaring something-to-be-art, of making the spectator aware of processes, changes over the time or the ambiguity of objects and shapes.
-Lingual 1992, 8 min,
-Kiosk 1993, 4:34 min,
-Luftloch 1997, 21:47 min,
-Vice Versa / Kraków-Krakau 1998, 19:12 min,
-Ouroboros 2000, 3:07 min